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Thursday, April 29, 2010

Hole LIVE @ Terminal 5..04/28/10 (2nd of 2 nights!)


This is not a re-run; although it may read like one... What goes on.. I'm Jay Porks, this is the Jay Porks Experience and The twenty fifth edition of the Jay Porks Never Ending Concert Series tonight  takes us back to Terminal 5... 610 W 56th street in New York City for another night of Hole... Fresh of their visit to the metapausal women of the View this morning, and the release of the first Hole record in over a decade- let's see if they can pull it off again- can this place rock as hard as last night? For my face value ticket price of $35 dollars I would sure hope so...

 
Got here just as the doors opened a 8PM.. the Love Loves are not the
1st opener tonight, as that void has been filled by the show time
being 915 tonight as oppose to the 815 of last night... I had to come
early to explore the second and third floors of this used-to-be disco.

The left side of the second floor balcony is roped off and the event staff dude said it was VIP.. I saw "Little Fish" written on sheets of paper atop the tables.. Little Fish has VIPs? Who knew.. So I take a seat on one of these couches on the 2nd floor and relax because the TV screens in front of me will allow me to see when there is some action on stage, but for now they just show advertisements for, what else, other "Bowery Presents" sponsored events.. 8:28pm and the sides of the balconies in the back and right side of the second floor are already packed with eager fans.. And here I thought it was going to be an easy night for me, in a chair and all- doesn't appear that way.. Headed up to the 3rd floor..

Third floor is a little packed- I'd still be able to get some room along the side- but I gotta get out to the roof deck and have myself a veggie burger..okay you got me I'm not having a veggie burger, but the simple fact that they are available is just so cool.. The hipsters can stay fed..

Little Fish hit the stage at 9:02.. And I will not even attempt to get back downstairs as I park myself on a couch on front of one of the screens on the third floor.. Freak that- I stood up all night last night i deserve a seag.. It already looks more full than it did last night at the end of Hole's set.. The dude next to me is from Germany and speaks "very little English" and was not to happy when I told him that Hole played for less than an hour last night.. He said he flew into Newark 5 hours ago, picked up the Village voice and saw the show advertised and came here hoping to get a ticket.. And obviously he got one.. Thanks for the beer German dude- and hold on to that Nirvana ticket ( dude told me of a Nirvana show he bought tickets for in 1994.. A show scheduled after April in 94)

Little Fish second night in a row begin to grow on me.. They're a two man(person) ban in the studio and they bring an extra hand or two on tour.. I really wish they'd name one of thier songs so I can pass the title along to you... She might have mentioned a name or two but her accent isn't necessarily speaking the language as much as it chews it up and spits it out( that's a Stewie Griffin line) .. Oh wait there it is, they named a song! "Darling Dear".. Juju says it's about " getting someone into bed".. Whatever you say- the song is cool, sounds like we have an effects pedal in the house.. Little Fish seems to be better received than last night- they played a song called "Am I Crazy" which was pretty cool.. They went off at 933.. 


The video I took from Hole's set last night is currently giving me

problems when I upload it to YouTube.. After I convert the file and
upload it, like 20 second into the video the sound cuts out for that I apologize.... As soon
as I figure out why that is I will fix it, but since that's the case I
don't feel the need to get multiple songs taped- so I'm not sure what
exactly I'll have in terms of pictures..

Is that Hole soundchecking at 9:48? They fooled around a while and the
military style drum roll started, this must be their intro music
because they did the same thing last night- they walk on stage at
exactly 1015.. Opened it up with the "pretty on the inside"/"sympathy
for the devil" intro from last night- but the roar of the crowd is
crazy loud- sounds louder than last night.. "Skinny Little Bitch"
follows.. People on the third floor are standing on furniture right
near the balconies edge... Not the safest lookin thing I've seen...
"Miss World" follows, and I hope we're not headed for the same exact
set list as last night- actually I take that back- they played every
song I wanted to hear last night( with the exception of Jennifers
Body)..... "Violet" starts-i guess I'm not the only one who knows the
words- this place is trembling with 3500 different individuals singing
along.. This place is shaking- Courtney made us promise to still love
her if they "didn't play any old songs".. We agreeed and enjoyed....
Next up was the title track from the latest release- "Nobody's
Daughter".. This song is great- a grinder in my book.. The guitars
grind out throughout the song and seem layered several times although
they are not.. I don't think they played this last night-and if they
did it got past me.. After that song ended Courtney took of the white
button down she had on and had on a black dress thing going on
underneath.. it was hot- they jumped in "Letter To God" next.. This
song is epic- song has a loud- quiet - loud approach to it.. Getting
really quiet and really loud equally.. Larkin taking that guitar to
town with this riff... Next up Love states - " this is a song about
that Malibu place- it's not Malibu that's later, this is PCH" "Pacific
Coast highway" is what she was referring to.. Another brillant song
off the new record.. Where have they been for these years? This rocks!
Looking up at the screen.. On stage looks to be a well tuned
instrument of a band playing- they're hella tight right now.. Bombing
out this tune they shine the stage lights on the crowd- Which was
greeted by cheers of joy...next up "Gold Dust Woman" , a Fleetwood Mac
cover.. Awesome.. I love the way they do this song...it's like
Fleetwood Mac but with that touch of grunge that all genres of music
need... Stevie Nicks would be proud (or would she).. Before the next
number Love says " this is the number one song I iTunes if I'm
correct" as they get into " Someone Elses Bed".. Great song...followed
it with the aforementioned "Malibu", that got everyone up- including
me- who had to get some sort of video to turn into pictures.. I got a
nice shot from the third floor of the stage and some of the standing
fans in the front.. " Celebrity Skin" followed.. So we're almost
following the same set from last night with some minor changes.. They
tried to go off by playing " Samantha"(the only song I recorded all night) and Love said " we'll be back
if you want us"... So we now await the encore a 1104pm.. This is the
same time the set ended last night- encore and all..

Out for the encore, Love changed into the same heavenly white dress
as last night .." Play with Fire" seems to be a song they are getting
into the habit of playing on tour.... Didn't know Courtney was such a
devoted Stones- head.. Maybe they're just easy to play.. They said
they cut it short last night because Micko's wrist is messed up- she
called him a pussy too.. "Doll Parts" next- everyone is having a hell
of a time right now- everyone is smiling- singing and being drunk
enjoying great music... Forgot how much I love this damn song....
Thought the night would end the same as last, with " Northern
Lights"... But I was surprised when " Never Go Hungry" started
playing.. Love repeated that " he is in alot of pain" referring to
Micko's wrist, which is hurt and we don't know why.. Never go hungry
people are walking out because they know it's the last song.. It a
song that sounds like it was written after a week of listening to
Blind Lemon Jefferson and Leadbelly records.. Great song, almost like
a slave song in a way- sounds like it was sang out in the fields...
They ended that song and their set at 11:23.. Bout 20 minutes later
than last night...

Another jammed packed show.. Gold Dust Woman is my personal
highlight.. After catching that cover on YouTube I never thought I'd
have the privilege of hearing it live... Total awesomeness.. Words
cannot describe( even tho I just spent the whole night describing it)
the insanity of seeing Hole live... It really does feel like the 90's
all over again- except I'm not in Junior High School...

Our 90's theme will continue on May 2nd, as Roseland Ballroom braces
itself for the Jay Pork Experience to roll through for the Sublime
(with Rome) show.. That should kick as much ass as these two nights
did- in it's own way.. As for me, well I wrote this review while at
the show, so right now I'm in a cab on the West Side Highway("With
your gun in my hands") headed to the ferry- this will be up soon as I
get home.. Thanks for putting up with my non-sense for a few minutes
of your day- catch everyone May 2nd.......LATE

Wednesday, April 28, 2010

Hole LIVE @ Terminal 5.. 04/27/10 (1st of 2 nights!)



So what exactly is there to do on a Tuesday night in the city with the wind almost knocking people over Oh wait, I know what we can do-WE CAN GO SEE HOLE ON THE DAY OF THEIR RECORD RELEASE!!! So what goes on people; welcome, and buckle yourselves into the twenty forth edition of the Jay Porks Never Ending Concert Series... Tonight takes us to 610 West 56th Street a venue known as “Terminal 5”.. The crew is: Pam, Renee, Megan and Me (Jay Porks)... and we were all to meet at the venue around showtime..I was early as usual but met up with Pam around 8:05 and headed towards the show.. Here we go...


Before I start, let me state for the record first and foremost that there was a dude outside giving away free tickets-he had THIRTY of them! When asked how he got them, he said “I can't really say where I got them..but lets just say I work for a company that gave them to me and told me I can give them away”.. I don't see why someone would be giving away fake free tickets, but too bad I didn't need an extra... damn... So we (Me and Pam)walk in around 8:30ish, leave the other two tickets (for Megan and Renee) at will call-get our tickets scanned by some fine young ladies; to one I ask: “Are we gonna be able to like, go back to to smoke cigarettes?”, because for some reason at rock concerts all I care about is that last smoke before the headliner comes on.. you don't find conversation like that anywhere.. she says, and I quote “The roof deck is open above the third floor”... Sounds good to me... We walk down a hallway past a line of like 200 people- with all the 101.9 RXP signs I saw, I thought it was the line to get autographs from Matt Pinfield or something.. But no, it was the line for merch! You crazy? I'm coming back tomorrow anyway, let me check these opening bands out before I spend most of my night waiting for a $40 tee shirt.. So I took a pass on that..


Walked into the main room, and the band that was currently on, 'The Love Loves”, were in between songs and the lead singer said “Okay this is our last song”.. I was thinking okay, this night's moving quickly.. grab myself a beer for six bucks as Megan and Renee show up, and now all four of us are in the Jay Porks Experience tee shirts, and we are in FULL effect.. some dude with a long ass pony tail, a pony tail that even I envy, came up to us wearing a suit talking asking about the shirts jokingly saying “so My favorite band sucks?” and I didn't even need to speak up, Megan hit him with an blunt “Yes”.. he mentions 'The Who' and Meg's like “Nah, they suck” just completely shitting on this guy.. she told him “I never really got into the Stones”.. true or not, saying that to anyone with a shred of gray hair takes a pair of balls that I do not own.. That was awesome.. But this guy had to be some sort of writer or something because he pulled out a 3 month(hand written) concert calender sort of thing and there were shows like every night this dude is going to be at... I pointed to tomorrow's space on the calender and said “I guess I'll be seeing you tomorrow night as well”... he seemed to be schmoozin' with everyone so I moved on...


The back line to all this is “Little Fish” have hit the stage (at about 9:10) in the midst of our conversation, and I don't know why but for some reason I had thought I read somewhere that they were from New Jersey, so I kept asking aloud what's up with the British accent you're from Jersey.. until the lead singer/guitar player, Julia "Juju" Sophie, informed me and the rest of the now filling out crowd that they were from England, and that “You're all welcome anytime you want to come by”.. neither I or anyone I'm with or asked knew who Little Fish were, but they are a duo based band with Juju on vocals and guitar and a dude named Neil Greenaway (Nez) and they are produced by Linda Perry.. Their sound wasn't, for the most part bothering me at all.. Nothing really to write home about, but they weren't bothersome.. sort of different while being the same. http://squidsquad.co.uk/.. you people can check them out later, and tell me what you think... but back to the now-.somewhere along the lines another stranger has stopped in, and is examining the shirts... and looks at the girls and says “Okay, your in his band” turns to me “and you look like a Jay Porks, so these are like your girls”.. not exactly, but I'll take the credit for being with chicks, so then I explained the website to him... then he says “cool, have a business card”... DAMMIT! I'm over here giving anyway tee shirts and I couldn't be smart enough to pick up some business cards.. so I wrote JayPorks.Com on a piece of paper from the pad I was using, which happened to be one of those waiter pads that I got from work and gave it to him as he walked away-another ongoing joke of the night was that pad..


Around 9:50, “Little Fish” went off, but a song or two before they did, I decided it's time to check out this rooftop smoking section I was informed about at the door... so I head to the second floor, where I notice people sitting on couches and shit watching the concert on 50 inch TV screens..there's a bar right there too, and you can overlook the railing and see all that's going on live if you feel like standing up.. that looked like a cool spot.. I may park myself there tomorrow night to get some different video angle from the videos I put up tonight on YouTube.. I got a lot of full songs, but from a distance-and Terminal 5 was very cool with the video they didn't bother me at all.. I'll give credit where credit is due... anyway, so I asked some event staff where do I go and they told me “ down the hall, to the left of the bar, downstairs, a left, and then up to the third floor” or something like that leaving me with a “wtf” look on my face.. so I walk around and eventually start smelling some Marijuana in hallways so I know I'm getting closer and finally I open the door and get hit in the face with smoke.. not weed smoke or cigarette smoke.. BBQ smoke.. there is a fucking barbeque on the roof, with yet another full bar and people chillin' all over the place.. that shit was fucking awesome.. the vibes were great up there, I hit the bar and got a shot of cafe petrone with a bud light for a total of 17 bucks then I headed back down after my cig... what a spot.. you could see the surrounding buildings and all that other cool stuff that goes with good vibes... it was cool up there, but the reason this night exists is about to hit the stage I'm assuming, so downstairs I must head...


Got back with the crew raving about the BBQ upstairs a little after Little Fish went off... I noticed it was 9:55 when I began the countdown.. when I started looking towards the stage to see what the roadies are up to and how close we are to this.. sign said Hole- 10:15... lets hope so...


Lost track of time once the Queen of Rock hit stage in a black dress (similar to the one she wore on Letterman the episode that aired tonight, 4/27/10-I'll assume taped today)... did you ever get that feeling? Like, I was seriously pumped for this, and I was in the building for almost two hours knowing that Hole was going to be amazing, but when they strummed that first chord-that first song-it's like “Wow.. this is real.. I am really here right now”.. They kicked off with a short version of “Pretty on the Inside” that led into a cover of the Rolling Stones “Sympathy for the Devil”.. which was really frickin' cool-nice take on that song.. They got into the single next, “Skinny Little Bitch”-during the song Love altered the lyrics that go “ born of sour milk, coke and pills” to “born of sour milk and New York Thrills”.. nice little shout out.. I like it... we also took bets before the set of how many times we'd see her crotch during the night (I had 3 times).. there were none, and she was drinking a bottle of water... Not your old school plane crash of a Hole concert.. she's clean, and she's got a new re vamped rocking version of Hole.. we got Micko Larkin on lead guitar.. he's a beast-not to mention like 20 years old I think he's almost still-while the sounds coming out of his amps are not at all complacent... Stu Fisher is the drummer and holding own the bass is a dude named Shawn Dailey-who has a down toned bass sound similar to Krist Novelselic back in the day.. they hold a very tight rhythm section down.. okay, next they got into “Miss World” a song I was hoping to hear.. love that song.. then, they played “Violet”.. two old school songs back to back the house was a rocking.. this is actually a shot from when they were playing Violet.. Next up some new songs, as Courtney phrased it “You have to hear this new shit because it's not gonna be new for long”... “Letter to God”, “Pacific Coast Highway” and “Someone Else's Bed” are three epic songs off the new record, 'Nobody's Daughter', in stores today.. after those three songs, here's a shocker- “Malibu”! Not a shocker like I wasn't expected to hear it but they were rockin' so hard I didn't even think they'd go there.. I thought they'd play some more new stuff, but then they hit us with “Celebrity Skin” and that's when the roof came off of that place.. That's got to be top ten happiest moments of my life that 3 minutes or however long that song is... to be in the same building with that song live.. words can't begin to explain although I try my hardest.... I didn't get it on video because I was rockin' out at the time... Then “Samantha”, the song they played on Jonathon Ross's show.. that song friggin' rocks too.. the underlying heavy riff that Larkin sustains during this song is some real bad ass sounding stuff.. before the song, Love said “We've been a good date haven't we?”.. and after the song they said goodnight..


Of course that's not the end... They come back out fairly quickly with cigarettes in hand and Love now wearing a white dress... They get into another Stones cover, “Play With Fire”.. then “Doll Parts”, which is still as epic sounding as it was when it was released... and finally on the set list was “Northern Lights”.. a soothing end to an insane show....Oh what a night.. I enjoyed the HOLE thing...

If you read my review of Them Crooked Vultures back in February, then you remember me mentioning a bum with the funnist sign I had ever seen in my life and I regretted not taking a picture.. well, I got one this time!    



Killer set, killer night.. can't wait to do this all again tomorrow night.. Hope the set list varies so I don't have to write the same review, tomorrow night rolling alone-maybe I'll sit upstairs.. Who knows.. Anyway, thanks for putting up with my non sense for a few minutes-hope to catch you all soon-LATE

Tuesday, February 9, 2010

Them Crooked Vultures LIVE @ Roseland Ballroom 02/08/10

Are we pumped? I know I'm pumped! Tonight the twenty third edition of the Jay Porks Never Ending Concert Series brings us to Roseland Ballroom (239 W 52nd street- New York City) to see the super-group, although they scoff at the term, THEM CROOKED VULTURES. A side project of legendary proportions, featuring Josh Homme of fame with Queens of the Stone Age, Eagles of Death Metal, Kyuss(a short stay as guitarist in the Screaming Trees too) on lead guitar and vocals.. handling the bass duties, John Paul Jones- from a little band known as Led Zeppelin.. and on drums we have, after a 16 year absence from making creative and enjoyable music, Dave Grohl is back in his element-behind the kit. Them Crooked Vultures are here in support of their self titled debut record on what they've dubbed as the “Deserve the Future Tour”.. they are joined by second guitarist and multi-instrumentalist Alain Johannes.  


So about 7:30 I finally make it inside this mammoth beast of a venue..I use the word "finally" because it felt like I was on the line for an hour. When I got off the train at 50th street I looked across the street and saw hundreds and hundreds of people flooding the sidewalk... That would be the line- it stretches maybe three blocks. All I know is that the entrance to Roseland is on West 52nd, and I'm standing at the back of the line around the block on 53rd, like right in front of the Ed Sullivan Theater-some bum begging for change was like "Drew Bress was here man..Drew Bress". The way he said Bress the 'S' sort of dragged out-like "Drew Bressssss" I don't know it was weird. And I have to mention this, not sure if it was the same bum.. On the way out after the show there was a guy with a bucket standing in the cold New York night with a sign that said, and I swear it said this "SPARE CHANGE? ANYTHING IS ACCEPTED.. (money for beer, bud, hooker) Hey, at least im honest".. Why would I not take a picture of that it was totally the greatest thing I've ever seen .. Anyway,  I still have these three extra tickets to give away. I give one to this poor looking guy who I thought was heading inside, but when I saw him still asking for tickets, I figured he was probably working for a scalper. Then there was this girl who asked if the show was sold out. I said, "I'm not sure..but I have two extras at will call, you can have them". She took me up on the offer, so I'll be waiting for that Karma train to be making a stop at my house any second now.



Now this inside is standing room only and the room holds about 3000 plus.. This place seems like twice the size Hammerstien... the ceiling looks like it goes up forever and ever. I feel like the stage is half a football field away from me. I got my band tee shirt for 20 bucks when I first stepped in.. That line was insanely long and was more of a free for all than a line... Made my way towards that $6 beer, oh how I've earned it.


It's about 7:47 when I notice that this place is packed almost the capacity.. This is gonna be some long distance video if I manage to get some. Surprised they let me in with my camera, they frisked me at the door as if I was an escaped convict.. While being searched in the oddest of places I start thinking to myself "I'm sure I don't have anything on me right??".... In the distance I spot a second drum kit on stage, is this going to be the opening act? I can't stand when they do this, its one thing that pisses me off. Don't pretend there's no opener and then spring some no name band on us...we would've prepared accordingly. I would've came an hour later. Do us all a favor, I know you probably can't have the opener figured on and printed on the ticket before it gets mailed..but at least list it on the venues website....bad job by Livenation.. And I don't want to hear that crap “Well dude, there's always an opening act” when I've seen the Melvins open for themselves and Dinosaur Jr had a half retarded guy stand on stage for a half hour before they went on...


The surprise opener was 'The Brought Low”... Exactly. I personally have no idea who they are. All I know is they're three dudes who want to be like Jet. Hate to jump on an opener, but th riffs were unimpressive to say the least. Anybody who works in a Guitar Center can play them.. I kept looking at my vacant wrist awaiting for them to end. They played about 7 or 8 songs, they went off at about 8:27....


So they had the stage set up at about 840, which was good because I started to have this pipe dream that maybe they'd head on at 845. Yea right. I'm starting to notice there is no where fr me to move forward or back, I'm stuck here for the remainder of the night.. And people aren't exactly standing in siZe order, so my video clips are full of the back of peoples heads and little people playing instruments.


It became evident that my camera was not going to do me much good from all the way back here, but I still recorded what they kicked off the set with: “Nobody Loves me and Neither Do I”, this one has John used a slide thing on his bass as he stands next to a keyboards, synthesizer and two other bass guitars placed vertically. John Paul Jones is really whaling, seems like he's been doing this a while. You start to wonder why most of these songs are so “Zeppelin-like” powerful.. he's not like The Who being old at the Super Bowl halftime show-this dude is still fresh.. amazing.. They got into “Scumbag Blues”, like the 10 plus minute version, and Josh Homme is just having his guitar erupt with every strum, pulling out his full proverbial arsenal of tricks, what an amazing guitar player. It's sounds like an episode of the mighty morphing power rangers with his strokes.. He and John are bouncing sounds off each other- it's like they're playing catch, with each one trying to top the latter. Where every song seemed to be the “extended version” as I call them, it's actually that most of their songs are of lengthy proportions for traditional rock songs that they seemed to be a little longer than typical. “Dead End Friends” was either 4th or 5th in, where I just had an epiphany: I'm in the same room as John Paul fucking Jones! Are you kidding me? He could be up there playing a toothbrush, rock history is happening right now and I'm a part of it. And here's no slouch-Dave Grohl completes what is probably the greatest possible living rhythm section alive. It's been so long since I've heard Grohl play music that was creative and entertaining, it was really a pleasure to see the best rock drummer of at least my generation. A suddenly buff Grohl too, it was like the frickin' gun show back there man-dude hits the gym. With one song into the next, “Reptiles” to “Gunman”,using the term 'beast' would be the understatement of the century to describe the drumming that's going on-I can feel the beating that kit is taking from 60 yards away, that's how epic it is. That is a sound that cannot be manufactured no matter how much you advance technology.. the sound that drum makes when Grohl hits it. It's definitely something I missed. He also has a mic revolving mic stand that is dipping into the area he needs it when his harmony parts come up, I don't know if he was controlling it or if it was a roadie but man I always thought it'd be late or smack him in the face every time it came around. And back to Josh as he was talking in between songs, and he said “We were on Saturday Night Live this past weekend”..*crowd roar*.. “And the people over at NBC censorship didn't catch that I used 'Piss', 'Dick', and 'Shit' all in one song!”..*crowd roars again* “So that's making the world a better place for people who promote public swearing. Fuck those people!”... this guy can work a room, he was full of colorful things to say all night (like when he said “Dave was up til 5:30AM drinking Jägermeister.. I told him not to do it, but he's a fucking alcoholic and thats what alcoholics do"), he really knows how to grab center stage. Good thing he knows how to, because he's offically uped his notch in "Rockstar" status..Josh Homme is now  at least equal if not superior  to the likes of artists like Jack White weather you like it or not, because he is totally bad ass if there ever was a definition. The dude is smoking a cigarette on stage in an indoor venue that doesn't allow lighters-I mean I know he's in the band and everything, but I've never seen anyone do this.. and then he flings it behind his shoulder with total disregard of all things to his rear. Take that society!  He's the main songwriter in any "side" project he touches... he looks over at John and he goes "hey Zeppelin".. Then John Paul Jones comes bust out the 'Key-tar', you know, the thing Edgar Winter says he invented(he might've), the key board hooked up like a guitar sort of thing and Josh puts his guitar down as they get into "Interlude with Ludes", a sort of trippy-hindi-ish song where Josh prances around without guitar duties walking up to everyone else in the band doing silly things.. they really looked like they were all having a good time up there, they got into the most recognizable song, thier first single "New Fang" maybe midway through the set and near the end they hit it with my favorite song of thiers "Mind Eraser, No Chaser".. then before they finish up Josh states that "There is a time where every show must end".. plus, they only have 13 songs anyway-and they played the shit out of all of them. As they took the little bow as they walked off stage I thought to myself, there wasn't one thing that could've been better in the time they went on til the time they went off. Medolic blues driven hard rock molded with an absolute noise fest was a combination of blissful destruction and insane genius. Killer show.. What a night.....

There it is.. yet another Jay Porks Experience.... special thanks to everyone reading at ConcertConfessions.com, keep on truckin' over there... as for the Never Ending Concert Series of mine I have goin on over here.. We're eyeing the Flaming Lips and Local H later this year, along with the however many times the Meat Puppets come to town on their next tour.. For all the latest info you can always check back here at http://www.jayporks.com and in the upper right of the screen in the section that says “Upcoming Jay Porks Events”- we always get our hands on extra tickets and cool stuff like that so stay tuned, and thanks for putting up with my non-sense for a few minutes of your day.. tell your friends to check it out! LATE.....

Tuesday, January 19, 2010

Dinosaur Jr at The Brooklyn Bowl 01/18/10


Must say it was the most interesting place I've seen a show. I'm Jay Porks, and Welcome to the twenty second installment of the Jay Porks Never ending concert series for Dinosaur Jr!!!!... tonight takes us to Williamsburg, to the Brooklyn Bowl, which I know- sounds like a bowling alley. It actually IS a bowling alley, along with being a pseudo-fancy restaurant, it's equipped with16 bowling lanes(each lane with a big screen on the end, showing a movie) to the right of a small concert stage... The space where use concertgoers will be standing is pretty basic... it's larger than I thought but still basic-just a floor. No ramps leading to higher seating, no side barricades. I see J. Mascis'(JM) three tan/beige double stacks Marshall amps being covered by a white sheet. Feel like I've been here for ever but it's still early, 7:08 actually and a few people are beginning to show up. Like ten maybe...There are people currently bowling- I wonder if that will continue throughout the show.... now that would be one cool bowling alley-when I used to go bowling on school trips to Gil Hodges Lanes there were never any bands playing.. just older women and cigarettes(something I had no use for at the time, but now would love to be around both) I found where the merch chick was, and she had 20 dollar tee shirts...sold. There were also copies of Dinosaur Jr.'s new record “Farm”, and it came with a free hat. I already have a copy so I wasn't buying another one just to get the hat, so when about to ask how much for just the hat I read a sign that said “ No, you can't just by the hat. Why? Because we said so”... Ok, so much for that hat. After buying my shirt I went out to smoke to find no one of interest out there. Now here's the dilemma- do I head in and sit in the dark and wait two hours for the show to start or stay out here in the cigarette smoking zone to spot incoming concert goers?...Well there's no WiFi in this place (figures, never WiFi where I need it).. AnywayI decide to come in but sit on a couch looking right at where the merchant is being sold. If someone interesting is gonna pass by then this is the place to be. Take in mind it's 7:16pm. Two hours til show, and I've already limited myself to being within 10 feet of the door to this place for the next five hours...

It's coming up on 8:33 and this place still isn't packed out to the capacity it will be- I mean the show is set to start in a half hour So, I gave them there chance-now I'm headed to the front row, where nobody is standing directly in front of where JM is going to be standing. Plop, I'm there. I got one dude shouting out how cool my shirt is ( “your favorite band sucks” with JayPorks.Com on the back). Looking at those stacks up close I realize that I will be deafened by the guitar amps.. Sweet. One thing I don't see any of: event staff, which bodes well for me trying out my new Flip video camera....about 8:51, the house music plays Tom Petty- The Wait.... If they only knew


8:57- and here's Jeffrey Lewis setting up.. Looks like he's solo. He has a little toy keyboard on the floor and a really funky looking acoustic.. He gets into his first song at which point I look at my vacant wrist because this is unentertaining.. He's just singing and playing guitar as if he was playing for free or something on a street corner.. I was looking for his change bucket, didn't I just see this dude on the 'L' train?. He had some weird, trying to be comedic slide shows going- there was one about the Indians getting there land stolen and another was an old school, black and white detective short. I thought I was watching the discovery channel or something. He also had a what he called "gangsta rap" about " killing misquitos ".... Probably the most enjoyable part of his set. He went off at 9:44...now we await who we all came here to see..



It wasn't until Jeffery Lewis' set did I realize the big screens in front of each bowling lane would be used to project the stage happenings... These screens were showing "kill bill" (I think) before we started and now everyone was bowling towards Jeffrey Lewis' history lesson. Yes the bowling continued as the show went on, with bowlers leaning over the rail to check out what was going on in between frames, it was a really cool atmosphere from where I'm standing, because I can see peoples scores as well having my face on an amp. And I see JM walking around-he tends to do this-he walks around like he's a nobody seeming trying not to be noticed-he thinks he can get away with it, I mean.. rock star journalist's like yours truly aren't going to go running over like a prissy little fan boy, but I figured others would. I mean, dude has long platinum hair, how could you miss it? It looked like he was moving along just fine with little to no bothering by anyone.... I guess this is a hipster town after all. Rounding the corner on 10:15PM when they hit the stage, the one the only DINOSAUR JR!!


Kicked off the set with “Thumb”, first of all you knew it'd be a kick ass show when JM is wearing a Wipers tee shirt. Love the Wipers... anyway, right from the start- the first touch of chord my ears went numb almost-this was loud, noisy and distorted... and rocking! Every time JM touches the chord it explodes, and did you see his effects pedal set-up? Look at this: Your kidding right? There's like 100's of different sounds you can alter you guitar to-how do you remember which ones which ,when I can't even ride a bike? As they get into songs like 'In a jar' and 'Budge' you just become a witness to cerebral assassinations of instruments We got the extended version of “Pieces”, a song I happen to love off the new record “Farm”-somewhere between this song and “Plans” and “Pick me up” which followed, was where Mascis just completely gave this this six string a total beat down-he was killing it. He plays a Fender Jazzmaster, which is a discontinued model but Fender provides JM with custom guitars (I hear he's got velvet running up the back of the neck for comfort-how cool?).. “Feel the Pain” was awesome, because it was one of the handful of songs I recognized without looking over at the set list which was a foot away from me taped to the stage in large font. You can't hear any vocals at the spot I'm in, which is how it usually is with me. It's awesome to be there if your not trying to take videos for YouTube and stuff. I'm trying to write a blog here, I'm so close that the light shows interfere with my pictures as oppose to enhance them, but I got two full song son video “Thumb” and “Freak Scene”(Freak Scene is the song that Dave Grohl copies his guitar riffs from).. all of a sudden I remember there's other members of this band, and I look over to see Murph kickin it big time on drums-really laying it down. And there's not enough to be said about Lou's bass playing-it's a different kind of sound. Lou plays a sort of alternation of heavily distorted fast chords melded in with utterly decaying lows-blisteringly blissful... He takes queue from both hardcore and punk concurrently... He's like the bass player version of JM, where it sounds like something, unique-something totally of it's own.. totally ripping through the traditional basslines you'd expect to hear Song's like “Forget the Swan” with Lou singing lead and JM soloing underneath make for inexplicable, indescribable type of rock. I want to call it noise but it's too melodic. Want to call it “grunge” but it's too fancy, too well played. It's really something of it's own. They actually went off with the two aforementioned songs. They played “Freak Scene” and then played “Forget the Swan” and walked off stage. Without even saying goodbye! This was 11:46, and without a goodnight I would think they'd come back out, and here they do, about 5 minutes later. They get into a song, which of course being an encore has exceeded the written set list, so I do not recognize the song. It's loud, abrasive and awesome and I hope someone can get back to me with the name of that song. Then after that there kinda looking at each other wondering what to play and then someone screams “Just Like Heaven!” and JM looks at Murph and gives him the “fuck it, why not” look and they end an masterful set by covering the Cure, awesome....



SETLIST: Thumb, In a jar, Budge, Imagination land, Pieces, Plans, Pick me up, Out there, Over it, Feel the Pain, Little fury things, The Wagon, Freak Scene, Forget the Swan....

ENCORE: Unrecognizable song followed by “Just Like Heaven”

Your damn right I grabbed that set list off the stage. This was my second time seeing Dino, and my second time being amazing along with being the second time I got the actual taped set list off the stage. What a show, what an absolute guitar clinic that was put on tonight-jeez. I can't hear a damn thing..... Yet another unforgettable evening riding the Jay Porks Concert Train... catch you all next time.

Keep up on this website there is more soon to come, and make sure you check out my other blogs too and hit me on Facebook and suggest shows I should go to-together we can make music a better place...Late

Wednesday, December 2, 2009

311 w/ State Radio @ Hammerstein Ballroom 11/28/09

This was a whole different experience right here. Hello once again, and better late than never we're back, with the twenty first edition of the Jay Porks Never Ending Concert Series and this one brings us back to the same place we were on Tuesday, Hammerstein Ballroom(or, again, as the sign would indicate all over the building-the Manhattan Center). Tonight, 311 plays for their second night in a row in NYC. They have a new album out “Uplifter”- fans should check it out it's good stuff. The opener is State Radio-Pam and I head in after getting drunk around the corner at a real deal Irish Pub(it said Irish Pub on the sign).


Walk in there feeling great made sure not to give them my lighter at the door this time. The crowd for this show at Hammerstein compared to the Pixies on Tuesday were two totally different animals. Both were equally dedicated, but tonight was more, searching for a word to use here: more one entity where as the Pixies fans were a bunch of separate individuals together-the 311 fans were more together, more in sync with each other. And there was a lot more pot in the building tonight. We hit the merch table as I pick myself up a tee shirt says 311 on the front and November 28th 2009 on the back with an “NY” and it's Jets green so it looks kinda like team memorabilia- they had Giants blue ones as well. It was only 25 bucks and they had a XXL, so it fit right over my Pixies hoodie. Then we went and bought seven dollar beers and now that I remember, I owe Pam a beer I never paid her for.


State radio was pretty cool. I had no idea who there were before tonight but they had some good vibes flowing. They were sort of like 311, a little conventional hard rock orientated yet still had that little dash of reggae/ska bop to it. It was cool, no weird instruments that I need to go look up on the internet, no stupid things like “This is a song about hope” or anything like that. The best compliment I've come to be able to dish out to a band is that they didn't annoy me in any way-and that's what this band did. They rocked because they didn't annoy me. I'm sure they have a myspace, probably http://www.myspace.com/stateradio .


The they took apart the stage and started rolling out the 311 gear, as they took the sheet off the drum kit to a huge roar from the crowd. Their lead guitarist uses a shitload of effects pedal because I saw them bring out like a two level rack of toys. I need to invest in some effects pedals. Anyway, 311 hits the stage after 9PM and at this point it's getting real cramped up there-we're like, pretty far up there and it's about to get rowdy; and it did. They kicked off the set with “Beautiful Disaster” and the place was jumping. I'm telling you these people are crazy-song by song it just got worse, and by worse I mean better. It was frigging rocking in there! And everyone was dancing and shit and it was dark so I was actually getting behind girls like, groovin' because they didn't know I wasn't there boyfriend then they went and found him. I did this all night, even with that hot chick in the white top that I told Pam I thought was hot. Awesome. A couple songs later(wasn't taking down the set list because I was jumping up and down like a maniac) when they got into “Come Original” and “All Mixed up” is when I began to get “all bruised up”-there were different sorts of moshes going. You had the hardcore punk circle of death is what I call it, thats what when down at the Germs show I saw. There's a circle of people and there are usually 3 to 4 people being pushing one direction to the other slamming into everyone surrounding, me and Pam were  getting knocked aside from time to time. Then there was also the 'push everyone forward spring' as I call it-where like 5 dudes line up and push everyone in front of them so everyone leans about 5 feet forward and then flings back at the rest of us spectators-but I saw this happen a few times and it was like right in front of us. The ruckus subdued after they ran off and had the drum solo followed by the whole band beatin the shit outta snare drums simultaneously-it was crazy. Then Peanut with the 10 minute bass solo, he's a frigging beast with it-I think he plays a 5 string bass(if not a 6 string). Then they all came back out and played something for “all the old school 311 fans” and jumped into “Down”, literally. I took flight lunging forward on to a bunch of other people(Pam said it best: “I don't think my feet were on the ground at all in there”) and then when I got flung back I was in the middle of one of those circles of death and I got knock around pretty good before landing back in my spot to just jump up and down in unison with everybody in the building. Weed is being smoked everywhere, and cigarettes too people were just going all out. And funny at the beginning of one of the songs they played after that dude was like “Alright everyone put your lighters up for this one” and there were dozens of flames lit as event staff looks on, not being able to do anything about it because we smartened up and didn't tell them we had lighters at the door. Take that! One disappointment I had was that they didn't play “Who's got the herb” or “Amber” (or their cover of “Love song” now that I think about it) but they have an album to promote so you gotta play the new stuff and you can't play everything-that's why I'll see them again next time they hit town. Ended the set with a song called “Jackpot”, of which crowd participation was asked for-I don't remember what we had to do but we sang along something. It was just so nuts in there all night, afterwards was just a complete dead feeling. Felt like I got beat up, and it was a good thing!


Amazing, can't wait to see them again. Well, next time I thought I'd be posting was after I saw Weezer on December 10th @ the Susquehanna Bank Center in Camden, NJ. Pam also planned on riding along for this ride as well. As of December 5th the rest of the december leg of the tour was cancelled : Rivers Cuomo's tour bus went off an icy road and he cracked three ribs. I got a refund, but that doesn't make it not suck-  

Friday, November 27, 2009

The Meat Puppets @ Bowery Ballroom 11/25/09


And we're back again for the 20th installment of the Jay Porks Never ending concert series. Tonight takes us to the Bowery Ballroom in New York City to see the Meat Puppets! I love this band so much, and I hope you people do too because they're awesome and totally worth going to see. When I strolled into the place, I pulled out my iPod Touch and started taking notes.


Got to the Bowery around 7:30- I saw a poster that said the Meat Puppets don't come on until 1030. I am really early it's not even eight and I already had a beer and smoked a cigarette after I came in and got stamped and wristbanded and all. I don't even think the doors officially open until 8 o clock. This is going to be a pretty long and great night withstanding this being first time the effects of a show the night before might be getting to me. When I see people moving in I'll head to the merch table and claim my poster. I don't think this place is sold out, although there are a few people here who are early just as I am. I wonder how awesome this night is going to be. The Meat Puppets, My 6th time. The show doesn't start for 2 and a half hours! The suspense is killing me And I know how they get down already- come on close to 11 and get off around 1. I just heard someone say they're opening the doors. Let's do this.


When I walked in I passed the merch table and saw a dude wearing a Devo tee shirt working the table I said “cool shirt dude, is Moped around?”, Moped being the person who Dennis (a friend of mine who usually does the merch and works everything Meat Puppets related) told me has my poster. He said he was also waiting for him to come over and if there was anything he could have helped me with, I said I'd be back and headed to the main floor which had like 4 people there. So I just walked away from this dude wearing a cool Devo tee shirt who could have definitely halped me with something, I would find out later during drum check, that this cool dude is actually the new drummer in the Meat Puppets: Shandon Sahm... who we will get a little more into later on.. Anyway, walked back in, leaned myself on the stage and turned to see Cris Kirkwood walking in my direction, so I was like “there he is!” in the obnoxious way I talk before getting serious and asking him “How's” the tour going?” Cris said “It's really cool man been great”-as he looks around- “we got three great bands tonight. I hope more people show up for Dynasty (Electric)”. I said told him how I thought they were cool last time they opened for the them and then he went on to talk about Elmo Kirkwood, Curt Kirkwood's son and member of the band Kirkwood-Dellinger, who were up after Dynasty Electric. Cris: “My nephew's band is really rounding out and he's a beast on guitar man. He's playing is getting so much better-like, me and brother have been playing together for years and this kid just sits around playing and we look at him like dude how'd you do that?” He seemed excited, didn't wanna keep him from any pre-show rituals.


First up is Brooklyn's own Dynasty Electric. With Jennifer DeVeau (lead vocals, synth, theremin) and Seth Misterka (vocals, guitar, saxophone, laptop) doing about a 40 minute set that was pretty cool(this being the second chance I've seen them) I can say I like a few of their songs now, and a band like this is usually a little too electronica for me. I was the only one who knew who they were because they opened for the Meat Puppets in June at the Mercury Lounge. I was explaining how cool the theromin is to the unfamiliar spectators of this band. When they came up on stage I said to the guitar player “You guys got the theromin right?” and he said yea and kind of looked happy that at least one person thought they were kind of cool. One example of them being cool is they covered Shocking Blue's “Venus”, which was awesome as they played to about 9 of us who were there. I have a picture that looks like that both band mates tried to get into the show for which was cool. Maybe late arrival for the rest I guess, but they're missing cool stuff .


After they went off I ran out to smoke a cigarette on the way back I saw another dude working the merch table and I said “Moped?” and he goes “Yea” and I was like, “I'm Jay Porks from Staten Island, Dennis told me to come see you” and he was like yea I got something for ya, you're on the list as he hands me an autographed Sewn Together Meat Puppets poster. Shout outs to Dennis, Moped and the Meat Puppets for being so cool!


Kirkwood-Dellinger was so much cooler than I thought they would. They were almost groovy at times- Elmo Kirkwood is a frigging beast with it. The stuff he was doing was pretty interesting and noisy. He didn't have as many pedals as his father, but was an absolute monster. There whole band was well rounded, as they switched instruments after every couple of songs. Played from like 930 to about 1030 probably a little after. Then, a warm moment, as I turn to take a look at the crowd about halfway through their set, there leaning on a pole about 15 feet away, is Curt Kirkwood looking on as a proud father watching his son become a rock star. After they went off we all sat in suspense awaiting that proud father to hit the stage with his great band, The Meat Puppets!!!



The Meat Puppets fail to disappoint once again. They hit the stage at about 11PM.  Meat Puppets have a new drummer, the aforementioned Shandon Sahm(The son of legendary fiddler-singer-songwriter Doug Sahm of The Sir Douglas Quintet and Texas Tornados Small world isn't it?) The place is still not packed out at this point-but there are a lot more people than before, the crowd had a nice roar going when came out. I'm right in the middle leaned on the stage because they took the two amps in front of me away so I had plenty of room to put my note pad and camera down. Good times front row. They kicked off the set with “Plateau”, it was right at these first chords that for the first time of the night I'm past feeling tired and way too deep into feeling: “Wow this is freaking awesome” to even think about it. After that another favorite of mine in “Commin' Down” and that's when things started getting cerebral in a sense that everyone in the place had, for lack of better term given themselves to the music at this point. “Touchdown King” is a song off the 'Monsters' album (they're most interesting album-in a good way) that's been a staple in their live set for years now-so they drift off into oblivion in the middle of it. It's a blissful switch from song to outer space to song throughout every Meat Puppets set. They got into “Station” next-on the video you hear me say 'Station' before the song starts on the video because I saw Curt point to Cris(which is also on the video), signifying that this is the one he sings lead vocals. “Go to your head” was the first song of the night they played off the new album 'Sewn Together', which is an awesome record. The dude next to me asked me if I heard it and what I thought and I explained to him the intricacies of the greatness of the album. Then I saw Shandon tell Cris “Oh Me”, and off we went. The crowd is building as the night go on-I can't see it but I can feel it; the room getting smaller and everything being louder. “Up on the sun” was awesome, I should have taped that one but my arm would've got tired I think it ran about 8 minutes. That's when stuff started getting lost in the little light show we had going on-I'm not sure if they bring a light show or they just use whats there when they show up but you notice some of the pictures just look like cartoonish almost. Then a change up-I've seen it on YouTube but never personally, they jumped into “Sam” and for lack of a poetic description here: That sh!t was crazy! Who can keep up with those lyrics? (It's faster than R.E.M.'s "It's the end of the world as we know it", a song I have karaoked successfully without lyrics.. ) I tried and failed and for a dude with no voice I was getting it in. I must have screamed out “Attacked By Monsters” 5 times-I really wish they'd play that once when I see them-I've said before I bet they can't play it live. After 'Sam' they went into “Monkey and the snake” before doing “Light”, another one I don't recall ever seeing live personally-so I got that one too. “Aurora Borealis” was the yin to the yang of “Light”, a twangy, instrumental tune that makes you close your eyes and differentiate each instruments sound, switch back and forth from bass to guitar. Amazing. And if it couldn't get better-”Backwater” smacks everyone in the face. There's a light mosh behind me as I get bumped into every now and then. They got into “Lake of fire” fairly quickly after that, where when Curt was slowly strumming I said “Lake of fire already?” and they rocked it with that one-the extended version. Clocked at 6 minutes with the noise fest jam type ending of the song they always do. Shandon Sahm is the real deal too-I noticed it during lake of fire that he was fitting in just fine. With his cool Devo tee shirt on. After that they said goodnight and went off stage.


Not so fast my friend. They came back out, with, as introduced by Cris Kirkwwod “ladies and gentlemen New York's own Ted Marcus”, who had been fired from the band a few months ago as told to me by Shandon.  Before the set after he was doing a little drum check when I screamed "Where's Ted?".. He came over a few minutes later  and asked "You screamed where's Ted right?" and introduced himself.. he also said that Ted was in the building, to which I replied “yea, because he knows the chick from Dynasty Electric right?” and Shandon's like  “yea.." bewildered look on his face.. "how'd you know” and I said “That's what Cris told me back in June when I caught both nights at the Mercury Lounge. He told me thats how they got on the bill that night”.. He seem surprised of me being in the know, but shook my hand and asked me my name and stuff. So they came back out with Ted to play “Rotten Shame”and another song I didn't write down. I know they played “Lost” tonight, and they also played a song mid set called "Be Real" which is written by Doug Sahm-it's all a trip man when you go to these Meat Puppets shows.. you never know what's next... for example: the  final song of the night, which I got on tape, ATTACKED BY MONSTERS! Yes! I updated my Facebook with that as soon as I got out-it got crazy in there when they broke into it-the guitar parts in the song have so much stuff going on the mosh behind had gotten rough and empty beer cups were tossed on stage by this one drunk douchebag. As they neared the end of the tearing down the house with this song, the Sahm starts kicking his drum set around, and I thought that was so fucking awesome I started screaming “yea!!” and he stacked up his drum set in the middle of the stage and walked off as Curt Kirkwood was at the amp.. slowing turning it down....and down...and down...until the noise was gone and the only sound left was roars from the crowd and a “Thanks a lot, goodnight”.


Wow.............

Wednesday, November 25, 2009

The Pixies at Hammerstein Ballroom 11/24/2009

It's been a while but we're back in full force for the next couple of weeks and tonight, the 19th edition of the Jay Porks Never ending concert series brings us to Hammerstein Ballroom 311 West 34th street, or as the outside of the building indicates: The Manhattan Center. Tonight we are here to see the one, the only The PIXIES, who on tour celebrating their 20th anniversary of the release of their major label debut 'Doolittle'. The Pixies are a phenomenon of proportions which I thought had passed me by already, broken up for over a decade, who would've thought the opportunity to see them would present itself, and yet so timely-Last show I went to was the Breeders just days after this tour was announced in August. Three NYC dates were announced, Novemeber 23th, 24th and 25th, taking a look at my concert calendar, the Tuesday night, middle show is where we land (Meat Puppets @ Bowery tomorrow night)-$50 any of the nights with no opening acts listed. Who could NOT be there? Doors open 6:30, show at 8pm.


Was twenty minutes after seven when I stepped out of a cab, on a rather chilly NYC late afternoon turning into night-I stand in front of a movie theater across the street from the venue which is flooded with a mob scene in front of movers and shakers, people headed in headed out, event staff making life a little harder for everyone-the norm. I take it all in, get my stuff together(camera and notepad out of the back pack and into the pockets) and head across the street and step on up to the door where the event staff asks me “Sir, do you have a cigarette lighter on you?” Myself, somehow overcome with a sudden honest Abe demeanor, replies “yes I do” as proceeding to hand my lighter over to be thrown in the garbage. I don't care that the dude threw it away, its his job-but why would I say that I had one? It had a flashlight on it too. Damn. Anyway, continuing in I found the merch table and beer. Get a $7 beer(and then they put it in a fucking dixie cup whats up with that??), and start pondering on what I'm gonna spend my money on at the merch table. There was a few $35 and $40 tee shirts to choose from. I was settled on the shirt that has these tour dates on them-but then I saw a hoodie. I asked if the XL would fit me and I took a look at it. It's cool its brown and it has a 'P' on it, that $60 is feeling snug as I change and check my bag. This hoodie is kinda tight-but I'm still loving it.


One odd thing about the merch table is that I notice they were also selling “Jay Reatard” stuff. Then all of a sudden I hear a band sound checking at like 7:40. Walk in and I see three dudes on stage. The lead singer and guitar player (playing of those flying V's, cheesy) has long hair in front of his face, the bass player looks bored out of his mind and the drummer smiles a lot. At about 8 o clock when I realized that the Pixies were obviously not coming on stage at 8-I turn to somebody next to me, and I ask because I need to be 100 percent sure, I'm like “Who the hell are these guys?” and it was in fact, Jay Reatard. I mean, I tried to sit there and listen to it but it's a tough spot to be in being the surprise opener for the Pixies, I just looked at the ceiling pissed every time they started another song. Soul reason being that they weren't the Pixies, myself and I bet a few others who have never heard of him before didn't really give them a chance. They didn't suck, they did some things that were interesting...sort of. They played til about 840, then the roadies tore down the set and prompted it for the one, the only, Black, Deal, Santiago and Lovering-The Pixies!


A video screen type backround the stage has, began to roll before 9:10 showing a video. The clip is “Un chien andalou” in its entirety. I know, I know-What the hell is that you're asking. It's a surrealist film from France -short about 15 minutes long and it came out in like the 1920's. The first scene is an eyeball being sliced open, hence the lyric from the song “Debaser”, when Frank Black says “Slicin' up eyeballs I want you to know”. I looked it up a few months ago and was fascinated by the deep underlying of the song. And I'm not the only one who knew what I was, in fact I was probably more out of the loop then most people as I heard it being explained to others around me by each other. A shrieking simultaneous gasp through the crowd when the eyeball gets sliced open(the same people who have watch every version of SAW to ever come out) and I gotta tell you-though spacious, where I was standing was a tight squeeze and I wasn't even that close. The tall people in front of me were pissing me off, don't they know I have video to take? And this is in the wake of people bloggers saying the monday night show was over sold and that Livenation should be ashamed of themselves. I didn't think it was “over sold”, just tight up at the front not to mention very hard for me to navigate my hand held camera device, I got some really crappy video but the sound is awesome. They came out eventually and Kim Deal screams out “B-Sides!” right before they kick off the night with “Dancing the Manta Ray”, “Bailey's Walk” and “Weird at my school”. The way Joe Santiago and Frank Black sort of trade explosions of noise with every chord-the way the sound meshes is brilliant. Music is so much better live. The harmonies Deal and Black kicked out on every track was, if not better, than equal to the swiftness it was 20 years ago and on some songs you get Deal's voice in the same exact key as Joe's guitar combining the two elements to one. They did “Manta Ray” (not to be confused with “Dancing the Manta Ray”) before they kicked off the album part of the set with “Debaser” and proceeded to rock that shit out, Doolittle in listed order. “tame” came next-these songs were almost obnoxiously loud and we were loving every second of it. “Wave of Mutilation”, “I bleed”, “Here comes your man” followed with jokes in between songs by Deal-like when she said “Anyone here last night?.....Yea, we're doin the same thing” and she kept saying “We're almost through side one”. It got nuttier in there when “Dead” came on-the jagged guitars stabbing through all attending and Lovering and Deal pounding out rhythms. “Monkey's gone to heaven” was cool”, and I love “Mr. Grieves” and “Crackity Jones” so I'm glad I got video of those two back to back. “La La Love you” was fun, the only song where drummer David Lovering sings lead vocals. Then we got into the extended version of “No. 13 baby”, that one went long it was so awesome. We took a trip far away from that song with the melding of noise between guitars, like the aforementioned of trading explosions. Finishing out the set was the rest of the record, “There goes my gun” followed by a crowd sing along “Hey” (words from the song scrolled on the screen in the back ground), “Sliver” and “Gouge Away” before they pretended to say goodnight. They took a bow and went off with the screen showing a picture of the four of them together. This was freaking incredible- I mean I wouldn't blame them if they didn't come back out.


But they did as Kim Deal screamed “More B-sides!”, as they played the UK Surf version of “Wave of Mutilation” and “Ed is Dead” before the smog machine starts to really fill the place and we get into “Into the White”. At this time the screen had a visual that was hypnotic-strobe light effect along with the smoke clouds on the lights I swear it was an epileptic seizure. It was insanity, I was floored after into the white-what a moment. Then they went off again only to come back out to play, and correct me if I missed one in the midst of taking in all this, “Caribou”-which was very, like, make the crowd lean in sync like trees in a forest when the wind blows. “Broken face” and “Plant of Sound” to end the night-and someone needs to hit me up and let me know which one I missed because I know there's one that I'm leaving out, I didn't have enough room to take notes.


Overall it was so worth it. I'm so glad I got to experience that at least once before I die. They were on my list of bands I must see before I die. Check. Right now cutting up the video into pictures the songs are bringing me back to the moment as I listen-it's really cool. It was an amazing show, from the instrumentation to the light show to the vocals to the songs to the atmosphere. It all melded into a unique beauty-just seeing that fog as the drum beat to “Into the white”. Just indescribable.


Now in a few hours I'll be back here to tell you people how the Meat Puppets Wednesday November 25th show at the Bowery-there's already a autographed poster waiting for me!